Hey bloggers, today I want to go over our plans for our film, Offsides, a dramatic sports-comedy about a football player’s dream to overcome constant failure and a being looked down upon by all of his peers. Below is a rough draft of our story board, but do understand this is not the final version as we do want to continue adding shots and angles that would compliment some of the ones present in the blog. This is to serve the overall plot and comedic effects we wish to implement into our film opener, so please do enjoy. Thank you.
Shot 1: Here we have a cowboy shot of our main protagonist staring into a mirror inside of a public restroom, with lower-key lighting being used with artificial lighting shining right above him to emphasize his importance.
Shot 2: Wide shot of blue coach prepping his players for the football game, natural lighting being utilized.
Shot 3: Medium shot with brighter camera filter being used for the dream sequence, the red team quarterback presents for the first time, appearing nervous as he witnesses the protagonist approaching the field.
Shot 4: Over the shoulder shot from receiver’s side to protagonist, brighter camera filter still being used. Protagonist shouts, “It is about to go down!”
Shot 5: Truck camera movement used with wide shot and brighter camera filter. Protagonist picks off the pass.
Shot 6: Extreme wide shot of protagonist running for the end-zone, with red team players chasing far behind him. Brighter camera filter.
Shot 7: Wide shot of the blue team hoisting protagonist up, celebrating their victory. Ripple effect transition commences after about 5 seconds.
Shot 8: Natural lighting, panning backwards from close up of protagonist imagining the previous scene’s sequence. Coach tell him to wake up.
Shot 9: Wide shot with gloomier lighting implemented to emphasize sudden change in plot and mood of the scene. Coach disciplines protagonist for not being on the field, mentions wanting to replace him with the water boy.
Shot 10: Wide shot with the gloomy lighting, showing waterboy falling onto the tray of water.
Shot 11: Medium shot with gloomy lighting, red team quarterback fully confident about his circumstances as protagonist enters field.
Shot 12: Wide shot with gloomy lighting, protagonist is put up against a red team’s weak backup receiver, degrading the protagonist.
Shot 13: Gloomy lighting, tracking movement consisting of protagonist being pushed by backup receiver, then presenting the receiver running a play.
Shot 14: Wide shot with gloomy lighting, backup receiver catches the ball and enters endzone, whilst the rest of the red team enters the shot to celebrate.
Shot 15: POV shot from protagonist’s perspective with gloomy lighting, where protagonist lays hurt on the ground observing the red team teasing him.
Shot 16: Overhead shot over the previous shot, where the red team begins to disperse away from the protagonist’s body laying on the ground. The camera begins to pan away from the scene to present a wider shot, revealing the title of the movie at the protagonist’s side.
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